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The aux send sends the signal to a reverb processor. The voice continues through the channel strip equalisation applied, and the level controlled via the fader. The vocalist’s voice goes straight into the console’s channel strip and splits at an aux send. On an audio console any time we use an auxiliary send to add reverb to a vocalist, we are adding a parallel processing path. If that sounds scary to you, chances are you’ve done this before and not even thought about it. I would define parallel processing as splitting an audio signal into two or more paths with separate processing applied to each signal path. The cool thing is that this trick is pretty easy to pull off on any digital console, and can be super simple in analog world too.
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Johnny shows how to do this in Pro Tools, THEN he turns around and does it on a Behringer X32. A layperson is a sort of kinder gentler way to describe a novice. Where did the time go? It’s a cool video that explains a lot and does a great job of explaining it in terms a layperson could understand.
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If you haven’t yet, be sure to check out part one of this series “ My Parallel Processed Bass Rig Part 1: Why Parallel Processing?”Īfter looking at the date, I realised Johnny posted this video a year ago. Come back soon to learn about the signal path. It has a computer based editor so you don’t have to navigate with the tiny buttons and on-screen menus on the unit itself Has a tuner output, so you can mute everything and tune Has a volume pedal loop (that doesn’t count against your 8) You can set it up to split your signal and run parallel, with up to two splits You can change the order of pedals per each preset if you so choose Loop 7 can be a mono out and stereo return So for now depending on what gig I’m playing I switch it out a lot- but I’m also working on getting that resolved as well. I originally purchased this to use with my guitar rig, but ended up needing it for bass too.
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If you’re not familiar with effect switching systems, or pedal switching systems- they allow you to set up your individual guitar or bass effect pedals, and then with the press of a single button engage one or more pedals at the same time. This is the brains of my rig, and really allows me to be flexible, and have different bass tones available for different songs. Very Chris Wolstenholme/Muse type fuzziness. It is way too fuzzy to use in my normal church gigs. The transistors are mounted in sockets, SO if I wanted to, I could try out different ones. It does have a piece of green tape on it that says “Sockets” on it. At first glance it’s not particularly remarkable. They posted a picture of a Vexter Woolly Mammoth. Some were prototypes, some were modified and experimented on etc. Zachary Vex posted that they were selling some pedals off of their workbench/repair area. I used to follow Zvex and a bunch of other pedal manufaturers on Instagram. That was not the case with this Woolly Mammoth. I usually do lots of research, read some reviews and go to stores and try gear out before I buy it. The Woolly Mammoth was an impulse purchase. I will probably end up with another bass at some point because there’s been a few things I’ve wanted to play on my own that really need a G string. This lets me do that, and it’s cheaper than buying a five string bass. I wanted to have an option of being able to walk a bass line down instead of having to go higher on the neck as often. I play at church and we end up playing in the key of B, C, C#, and D fairly often. Recently I re-filed the nut and tuned the bass B, E, A, D. So don’t subscribe to the hype around “designer” or “vintage reissue” or whatever capacitors) I’ll probably go with something that will cut highs at a lower frequency than the. Don’t worry it wasn’t one of those $40.00 ones. (I’m planning on replacing this because it makes absolutely no difference to the tone of the bass. 047uF vintage style capacitor on the tone circuit. 047uF capacitor on the tone circuit (pretty standard for P-Basses) Volume & Tone Bypass (sends signal straight from the pickup to the output jack) I also installed a stacked volume/tone pot, and put a rotary switch with a “chickenhead knob” in the former tone pot location. I have no idea what year it was made.Ībout a year after I purchased it, somehow the pickup died in it, so I replaced it with a Fender Original P-Bass Pickup. It’s a three color sunburst finished, four string with rosewood(I think?) fingerboard. I purchased the P-Bass almost 10 years ago because I needed a bass and a friend of mine was selling it for $250.00, with a hard shell case.